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Content Warning: Both the source text and this guide contain descriptions of graphic violence, homicide, suicide, attempted suicide, domestic abuse, child loss, sexual abuse of a child, addiction, racism and explicit racist slurs, and animal death.
A man who is sitting on the bandstand invites the reader to sit with him. He enjoys the small town of Castle Rock, Maine, in October because the weather is pleasant and the tourists are gone. He points out fliers advertising an upcoming casino night and fliers that have been posted to protest this event. There is a rivalry between the Catholics and the Baptists; the Catholics are the ones who planned Casino Night. Father Brigham and Reverend Willie have both made Casino Night a focus of their sermons. The Catholic side includes Nan Roberts, the owner of a luncheonette, and Al Gendron.
The narrative provides an overview of the town’s citizens. Sheriff John LaPointe still pines for his ex-girlfriend, Sally Ratcliffe, a teacher who is now dating Lester Pratt, the high school PE coach. Dan Keeton is the Head Selectman, and Eddie Warburton is a janitor who has a racially motivated feud with Sonny Jackett. The speaker reflects that all of these quirks reflect the complex tapestry of small-town life, which features petty rivalries and people who know too much about each other’s business. Dan Keeton has seemed odd the past few months, and his wife Myrtle looks very upset. No one has forgotten that crossing guard Frank Dodd became a serial killer 12 years ago, or that the St. Bernard Cujo developed rabies and killed his owner. The speaker also relates that Pop Merrill ran the Emporium Galorium, which burned down. Ace Merrill, his nephew, now claims that Pop experienced a supernatural event before dying. (Ace was in prison at the time.)
The speaker reflects that many small towns have similarly fraught dynamics over religion, old grudges, unresolved relationships, and secrets. There is an expectation that people will just “get over” their feuds, such as the feud that exists between Wilma Jerzyck and Nettie Cobb. The speaker also notes that Sheriff Pangborn is still mourning the loss of his wife and child, while Polly Chalmers’s arthritis makes her day-to-day life very challenging.
The man senses that there is trouble brewing on the horizon. A new store named “Needful Things” has just opened. The speaker points out a young boy walking with his bike and remarks that this young boy will have a major role in the upcoming trouble.
In a small town, the opening of a new store is a big deal. Eleven-year-old Brian Rusk isn’t very concerned about it, but his mother, Cora, and her friend Myra Evans are obsessed with speculating about the new store, Needful Things. The new sign claims that it is “a new kind of store: you won’t believe your eyes” (15). Brian’s mother Cora likes to eat chocolate while watching soap operas. He wonders why adults are so interested in this store. Brian also reflects on his love for Ms. Ratcliffe, who teaches speech therapy.
As Brian rides his bike, he fantasizes about Ms. Ratcliffe and almost crashes into Hugh Priest’s pickup truck. He is afraid of Hugh, who has an alcohol addiction and a bad temper. Brian has seen Ms. Ratcliffe and her fiancé, Lester, hanging up the anti–Casino Night signs. He hopes that Lester will die.
As Brian passes Needful Things, he finds himself drawn to the store. It’s the day before the store is set to open, but the door opens easily, and the shop is quite bare. A tall, old man appears, and Brian feels fearful until the man speaks. Brian does not notice that the door opens and closes of its own accord, or that the man’s eyes change color. The man introduces himself as Leland Gaunt and offers Brian a discount. Brian is pleased to be the first to experience the new store but is disappointed that there are so few items.
Brian feels inexplicably giddy as he peruses a pipe, a picture of Elvis, a Polaroid camera, a rock, and a splinter of wood. Mr. Gaunt hands the splinter to Brian, who feels as if he is on a boat and can hear nearby animals. Mr. Gaunt tells him that the splinter is from Noah’s Ark. Brian asks him how much the splinter costs, and Mr. Gaunt explains that in Needful Things, the items are priced based on what the buyer is willing to pay. Mr. Gaunt asks Brian what he wants most, and Brian tells him that he desires a 1956 Sandy Koufax card.
Mr. Gaunt shows Brian a substantial collection of rare cards and pulls the very card that Brian wants; it is even addressed to Brian. He seems to be transported to a baseball field, where he meets Sandy Koufax. Mr. Gaunt tells him that half of the payment can be in cash and half in a deed. He asks Brian if he knows Wilma Jerzyck. Brian goes into a trance. The next thing that he remembers is Mr. Gaunt showing him out of the store. He feels as if he has just woken up from a nap. Brian realizes that he was only in the store for 20 minutes, but it felt as though he was there for hours. Ecstatic about new card, he pedals home.
The narrator describes the rules-heavy process of small-town people experiencing a new store. Investigating the shop is a very important activity, but Polly Chalmers is one of the few women in Castle Rock who does not participate in this complicated choreography. She left Castle Rock in 1970 when she became pregnant at age 17. Since returning without a child in 1987, she has been the subject of much speculation. Her neighbors know that she spent those years in San Francisco, but they wonder about her life.
Inside Needful Things, Polly experiences the same strange instant camaraderie with Mr. Gaunt that Brian did. She brings him a cake, and they discuss the complications of her arthritis. She finds it odd that the store is open by appointment only on Tuesdays and Thursdays. Like Brian, she notices that there are no price tags. Polly predicts that women will flock to the store.
Cyndie Rose’s encounter with Mr. Gaunt leads her to purchase a vase. Some of the women are entranced by Mr. Gaunt. He asks Nettie Cobb, who murdered her husband and is a close friend of Polly, if she would like carnival glass. When Cora and Myra visit, they are both entranced by the picture of Elvis.
Sheriff Alan Pangborn considers Main Street’s new shop. He also ponders his ongoing depression and reflects on the deaths of his wife and son. He imagines that his son Todd, who loved magic tricks, would enjoy exploring Needful Things. Alan has recently begun a romantic relationship with Polly.
Back at the station, Alan asks deputy Norris to give Dan Keeton a ticket for parking in the handicapped space. Alan calls Polly, and they discuss her arthritis and Needful Things. Wilma and Nettie are now feuding because Nettie’s dog barks.
The narrative shifts to Hugh Priest, who has been on a bender. As he walks home, he is entranced by the window of Needful Things. He sees a fox-tail that reminds him of a similar one that he had in his youth. Suddenly, the sign reads “Open.” Hugh experiences a sort of hypnosis as he haggles with Mr. Gaunt, who asks him to play a prank on Nettie as payment.
Meanwhile, Brian dreams of his teacher, and when he awakes, he checks on his Sandy Koufax card. He remembers that Mr. Gaunt asked him to pull a prank.
At the sewing shop, Polly, Nettie, and Rosalie fantasize about Mr. Gaunt. Nettie visits the shop, where she is again entranced by carnival glass. Mr. Gaunt asks her to pull a prank on Dan Keeton (“Buster”).
At the sheriff’s station, Norris is confronted by Buster, who is furious about the parking ticket. Buster threatens Norris, but Alan stops him. Alan wonders why Buster is acting so oddly.
Myra goes to Needful Things to buy the Elvis picture before Cora can do the same. As she fantasizes about dancing onstage with Elvis, she has an intense orgasm. Meanwhile, Brian heads to Wilma’s house. Conscious that he is not fully in control of his actions, he sprays mud all over her sheets, which are hanging out to dry.
Polly and Alan discuss the strange effect that Needful Things and Mr. Gaunt are having on the town. She wonders if Buster Keeton is having a breakdown similar to those of his uncle, who had schizophrenia. Meanwhile, Hugh obsesses over his new fox-tail, and Wilma terrorizes her husband, Pete, then grows furious when she discovers her mud-covered sheets. She is certain that Nettie is responsible for this, so she calls Nettie to threaten her. Nettie cannot believe Wilma’s accusation.
Norris walks by Needful Things and spots a fishing rod that reminds him of his father. He is unsettled by Mr. Gaunt but is eager to make a deal for the rod.
With the sudden appearance of Leland Gaunt’s maliciously irresistible cabinet of curiosities, Stephen King delves into the various Small-Town Dynamics and Hidden Tensions that lurk beneath the genial surface of Castle Rock, using the backdrop of this ostensibly close-knit town to create an atmosphere of tension and surveillance. Because the author’s end goal is the literal and metaphorical destruction of one of his most frequently used settings, the early chapters are devoted to a disjointed form of exposition that gradually creates a “patchwork” impression of the townsfolk’s various grudges, secrets, feuds, and sources of pride. The opening of Needful Things therefore uses the people’s curiosity over the new store’s arrival to reveal a tapestry of brewing rivalries and small-town pettiness. Castle Rock is depicted as a microcosm of small-town America, rife with gossip, grudges, and unresolved disputes.
Significantly, the townsfolk’s initial reactions to the wares on display exemplify the issue of Desire and Greed as Corrupting Forces. Brian and Hugh are drawn to items that symbolize nostalgia and personal achievement, for although the baseball card and fox-tail represent the more positive aspects of a youthful outlook, they also garner a certain level of status. Similarly, Nettie, Myra, and Polly are captivated by objects that provide a new form of escape and fulfilment. Nettie’s carnival glass makes her home feel whole, while Myra’s Elvis picture provides fulfillment of her sexual fantasies. Most notably, Polly’s amulet offers the promise of pain relief, allowing her to more fully live her life. These encounters collectively indicate that Gaunt tailors his wares to each shopper’s psyche, manipulating them into believing that the object of their desire will satisfy a need that no other person, remedy, or object can.
Brian, Myra, Cora, Nettie, Hugh, and Norris all experience a form of hypnosis that they recognize as unnatural, but their fascination with their chosen object compels them to set aside any doubts, and this dynamic illustrates the insidious control that Mr. Gaunt wields over his customers, indicating that they essentially lose their autonomy once Gaunt takes control. They are also rendered juvenile under the watchful directions of Gaunt, as when Hugh is compared to “a tired little boy up long past his bedtime” (97). King also invokes parallels to addiction, using his own experiences with alcohol addiction to demonstrate the visceral nature of the shoppers’ powerlessness to resist Mr. Gaunt’s temptations. Notably, the customers still feel their dependence upon Gaunt after leaving the shop, even though they cannot explain why they trust him to nurture and protect them. For example, Brian regards his encounter with Gaunt as a “dream,” and this wording establishes that the “pranks” with which the townsfolk pay Mr. Gaunt are undertaken without their full control. Even their interactions with their chosen baubles indicate that they have lost their ability to distinguish reality from imagination.
The theme of Desire and Greed as Corrupting Forces are explored more in Brian and Nettie, who are initially far more innocent than the perpetually inebriated Hugh and the greedy Cora. Most notably, Brian undergoes an immediate internal change upon gaining his prized new possession, and he soon learns that “gloating in private provides its own peculiar pleasure […] as if one corner of his mostly open and goodhearted nature had been walled off and then lit with a special black light that both distorted and enhanced what was hidden there” (111). Nettie demonstrates a similarly childlike fascination with her purchase, but this emotional vibe is overshadowed by her sense of paranoia that “Some Person in Authority” (185) will call to demand that she return her carnival glass. In both cases, these characters immediately develop an unhealthy fascination with their purchases—one that takes over their thoughts and corrupts their day-to-day actions and decisions.
Within the context of Gaunt’s corruptive influence, King also foreshadows the townsfolks’ inherent capacity for violence. For example, Hugh feels “angry agony” (172) at the mere thought of losing his fox-tail, and Nettie feels a similar degree of anger when Wilma provokes her, experiencing the same feeling “she’d felt before she’d taken the meat-fork from the drawer under the sink and stuck it in her husband’s throat” (187). With this deliberately casual revelation of Nettie’s murderous past, King once again underscores the implicit notion that Gaunt is stirring up existing forms of corruption rather than creating them outright. This underlying philosophy is also apparent in Wilma, who—craving conflict and violence—views every relationship as a series of battles to be won, and even perceives her own marriage as “a lifetime adventure in aggression” (176). Anyone who threatens her sense of primacy is immediately deemed “the enemy” (183), and her quick temper and penchant for violence make her an attractive target for Mr. Gaunt.
It is also important to note that King loosely assigns the townsfolk to different factions within The Battle Between Good and Evil. Wilma, Nettie, and Hugh are already corrupted by their capacity for violence, but Norris, Polly, and Alan are harder for Mr. Gaunt to fully corrupt because their grief makes them more empathetic. For example, Norris’s desire for the fishing pole is less greedy than the fascination that overtakes many of his neighbors; he views the fishing pole as a way to both mourn and honor his father. Likewise, Alan is mourning the loss of his wife and child, while Polly mourns the death of her son and the debilitating effects of her arthritis. These concerns ensure that Polly, Alan, and Norris remain connected to the essential human emotions of compassion, and this kindlier internal makeup will eventually help them to resist Mr. Gaunt’s nefarious influence.
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By Stephen King
Addiction
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Appearance Versus Reality
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Challenging Authority
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Community
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Good & Evil
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Guilt
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Hate & Anger
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Mortality & Death
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Order & Chaos
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Power
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Revenge
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The Past
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Truth & Lies
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